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Visions of the Cosmos: From the Milky Ocean to an Evolving Universe NOW OPEN!
December 11, 2009 - May 10, 2010
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The Red Book of C.G. Jung: Creation of a New Cosmology Extended!
October 7, 2009 - February 15, 2010
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Victorious Ones: Jain Images of Perfection
September 18, 2009 - February 15, 2010
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What Is It? Himalayan Art
ongoing
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From the Land of the Gods: Art of the Kathmandu Valley
March 14, 2008 - March 16, 2010
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The Rubin Museum of Art
- Highlights
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The Red Book Dialogues
Through February 10
Analysts are paired with Jonathan Demme, John Adams, Meredith Monk, and 30 others in an exploration of C.G. Jung's Red Book.
more...
Brainwave
Starts February 17
This year's popular science series brings Mark Morris (pictured), Laurie Anderson, Arjia Rinpoche, and others together with neuroscientists as well as astrophysicists to mark the exhibition Visions of the Cosmos.
more...
Naked Soul
Friday Nights
RMA's all-acoustic concert series features some of the country's premier singer/songwriters.
more... - Friday Nights
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Free admission
Ongoing
Free admission to the gallery floors from 7–10 p.m. 2-for-1 cocktails from 6–7 p.m.
more . . .
- Featured Works of Art
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Mandala of 21-Deity Heruka
Southern Tibet; 15th century
Pigment on cloth
20.5 x 17.5 in. (52.1 x 44.5 cm)
C2005.16.41 (HAR 65464)
more . . .
Vajradhara
The Primordial Buddha
Nepal; 14th century
Gilt copper alloy
18 x 12 x 7.25 in. (45.720 x 30.480 x 18.415 cm)
C2005.16.9 (HAR 65431)
more . . .
Guhyasamaja with Sparshavajra
Secret Gathering
Tibet; 17th century
Pigment on cloth
38 x 24 in. (96.520 x 69.960 cm)
C2001.1.3 (HAR 65003)
more . . . - Learn about Himalayan Art
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Take a guided tour
Ongoing
Guides are available on the gallery floors to discuss the styles and techniques, histories, cultures, and religious aspects of the art.
more . . .
Learn more
Explore the collection and experience the rich humanism, cultural significance, and beauty of Himalayan art.
more . . .
Explore Art
Multimedia Resource
Our interactive multimedia immersion into the exciting world of Himalayan art.
more . . .
